ForMatter/Processes/formative/Chasing and Repoussage
proc_jewelry_chasing_repoussage

Chasing and Repoussage

formative · chasing, repoussé, repoussage, embossing (related)

A pair of complementary techniques: repoussage pushes metal up from the back side with hammered punches, chasing refines the front with finer punches and an outline-drawing tool. The Greeks did it (the Vix Krater handles, 5th century BC), the Romans did it, the Renaissance silversmiths did it, and contemporary metalsmiths still do it. The hammer mark IS the surface — every dimple a record of one strike of one tool.

The work-piece is held in pitch (a wax / asphaltum / fine-clay mixture that's solid at room temperature, soft when warmed) so the back can be worked from below and the front from above without losing registration. Punches range from broad-faced repoussé hammers (pushing volume up) through line tracers (chasing the outline) to texturing punches. Annealing between work-cycles restores ductility — silver loses its workability after 30–50% reduction without anneal.

Scale & Tolerance

  • scale (mm)5 – 500
  • tolerance (mm)0.5
  • skillintermediate to advanced — the technique rewards 5–10 years of consistent practice; the masters of the past spent careers in it
  • costvery low equipment cost; high labor per piece

Equipment

  • school_shoppitch bowl, chasing pitch, repoussé and chasing punches (40+ punch set typical), chasing hammer
  • professionalas above plus pneumatic hammer attachment, programmable annealing kiln

Environmental

  • energy_usevery low
  • waste_streamminor metal sweeps, used pitch (recoverable by reheating)
  • consumablespitch, occasional new punches

Citations