A working project — collected materials, processes, applications, finishes, plus an optional mood-board image whose dominant colors search the library for matches.
No human picks the matches and no LLM is consulted by default. The ranking is a perceptual-color distance metric (CIELAB ΔE-76) over every material and finish that carries a sphere palette in the manifest, with character-chip substring matches as a bias. Treat the order as a starting place, not a recommendation.
Nothing saved yet. Drop an image below to find matches, browse the library and tap + project on any entry, or open a saved .formatter file.
The most populous colors in your image, after quantizing to 512 buckets and averaging the pixels in each. The percentage shows how much of the image each color represents.
Toggle words that describe the feel you want. Each active chip that matches a word in the entry's name, character line, level, or freshman description bumps that entry six perceptual steps closer.
If you have Ollama running locally on port 11434, type a description and the model translates it into chip toggles. The local LLM is off by default — turn it on in .
House vocabulary — terms ForMatter uses with intent.
Materials and processes for people who design and make things.
A local-first library of materials, processes, applications, and finishes — equal weight, citable everywhere, so a student can move from "what is this" toward "what's actually buildable here, now, by me." Part of the renato.design ecosystem — sibling of Plenum, Specimen, Ingenue, gesture, graf, and the Renato Rhino plug-ins. Form and matter, inseparable.
Half of teaching materials is teaching how the material is made into the thing. The standard subscription library was always light on that half. The wedge here isn't better samples or a prettier interface — it's treating Process as a peer entity, not a footnote.
Conway, Lefteri, Forty, Sparke, ASM, GIA. Every voice: Voices.
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