A taut nichrome wire run hot enough to vaporize the foam in front of it, slicing rigid foam blocks the way a wire-thru-cheese slices cheese. The cut surface is glazed and smooth — the wire melts the kerf rather than cutting it, and the small puff of styrene smoke is the foam removing itself. It is the dominant method for shaping EPS and XPS foam in studio mock-ups, surfboard blanks, architectural moldings, and lost-foam casting patterns, because no other method gets a clean, dust-free surface on closed-cell foam without picking the cells apart.
A nichrome resistance wire (0.4–1.0 mm diameter, typical) tensioned across a frame and powered to 200–500 °C by a low-voltage variable transformer (10–40 V at 1–5 A depending on wire length). Cutting speed scales inversely with foam density and directly with wire temperature; for typical EPS at 16 kg/m³ a 30 cm wire at 350 °C cuts at 25–60 mm/s. Geometry comes from a CNC two-axis (straight prismatic cuts) or four-axis (tapered prismatic cuts, where each end of the wire follows its own toolpath — used for tapered architectural foam, airfoils, and surfboard rocker). Free-form 3D shapes need post-processing or a sculpted hot-knife. Kerf width tracks wire diameter plus a thermal halo of 0.3–1.0 mm. The cut is exothermic; the wire stays hot in air and burns through the foam ahead of contact, so the wire never touches the foam — it cuts a slot just slightly wider than itself.
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House vocabulary — terms ForMatter uses with intent.
Materials and processes for people who design and make things.
A local-first library of materials, processes, and applications, equal weight, citable everywhere. Part of the renato.design ecosystem — sibling of Plenum, Specimen, Ingenue, gesture, graf, and the Renato Rhino plug-ins. Form and matter, inseparable.
Half of teaching materials is teaching how the material is made into the thing. The standard subscription library was always light on that half. The wedge here isn't better samples or a prettier interface — it's treating Process as a peer entity, not a footnote.
Conway's Material World on raw materials, Lefteri's Making It on processes, Untracht and McCreight on metalsmithing, USDA Forest Products Lab on woods, GIA on gemstones, Schott / CoorsTek / Toray / Owens Corning datasheets, MakeItFrom for verifiable property numbers, ASM Handbook, ISO standards. Voice blocks: Barthes, Yanagi, Benjamin channeled within their philosophy; Lefteri verbatim. All cited.
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